The Players is a Florida not-for-profit organization supported in part by: the Woman's Exchange Bank of America Client Foundation/Julius Brandenburg Fund; The Florida Theatrical Association, Publix, The New York Times Company Foundation, The Rotary Club Of Lakewood Ranch Bernard and Mildred Doyle Charitable Trust, Alfred and Ann Goldstein Foundation, Thomas and Lola Seligman Fund of the Community Foundation of Sarasota County, Roberta Leventhal Sudakoff Foundation, The State of Florida, Department of State, Division of Cultural Affairs and the Florida Arts Council, the National Endowment for the Arts; the Tourists Development Tax through the Board of County Commissioners, the Tourist Development Council and the Sarasota County Arts Council. Your generous gifts help the Players survive, flourish, and dream. Ticket income alone cannot begin to cover the costs of producing the best in community theatre, of providing the community services the Players is proud to offer, and of operating our theatre. Tax-deductible donations make possible the stability, growth and development of the Players, and help us to fulfill our mission to produce and sponsor musical theatre, live music, and other programs relating to theatre and the performing arts. Please consider joining the hundreds of people from throughout our community who have made a contribution. Please contact Michelle Pingel.
BroadArts Theatre creates performances that celebrate women and minorities who are building a more equal, peaceful, compassionate and just society. BroadArts is supported in part by the City of Portland VisionPDX Project, the Kinsman Foundation, the Polk Family Trust, the McKenzie River Gathering Foundation and your donations. We are a 501(C)(3) non-profit organization and donations are tax deductible. BroadArts Theatre is an equal opportunity employer.
We are committed to creating entertaining, educational, and enriching experiences for middle and high school students, their families and teachers that bridge the gap between children's theater and adult theatre. With education being a cornerstone of our mission and vision, Prime Stage offers several unique programs for educators and home school families that encourage adolescents to attend the theatre, participate in the creative process, and read the literature. We invite you to visit our Education pages, the Technical Theatre Mentor Page, the Teen Advisory Board, and the Support pages of this website. If you have any questions, comments, or suggestions, you are welcome to contact our staff. Thank you for visiting Prime Stage Theatre.
http://www.fleabittenproductions.com
Fleabitten Productions is a theatre company dedicated to the creation of quality, professional entertainment that is both intelligent and accessible. It is our goal to provide a safe environment for artists to create and audiences to enjoy theatrical entertainment of all kinds. Fleabitten is the brain-child of Gregory Cohen and Joe Hogan. Developed out of a love for all aspects of theatre, Greg and Joe decided to pool their resources, talents, and energy into creating theatre in a fun, friendly environment. Because of their avid love for dogs, Greg felt the name "Fleabitten" was an appropriate name for their new endeavor. Because Joe's Basset, Winston, has the perfect "sad face", and Greg's Welsh Corgi, Phoebe, seemed to wear a constant smirk, Joe suggested that Fleabitten's logo should be a twist on the comedy and tragedy masks. Thanks to the artistic talents of Anthony Lazalde, the logo was created and Fleabitten Productions was born.
http://www.washingtonensemble.org
The Washington Ensemble Theatre is committed to maintaining an environment wherein our members, as well as artists from our community, are challenged to grow through our work as an ensemble. We intend for our theatre to be a physical and creative intersection for community and art in Seattle, and we hope to expand our contemporary audience, by fostering a love of theatre's humanity, utility, and vitality.
http://www.shakespearefestivalla.org
Twenty years later, Shakespeare Festival/LA continues to create accessible theater that serves and builds community in innovative, unexpected ways. In 1993, the organization expanded to include outreach programs such as Will Power to Youth, an academic enrichment program that combines hands-on artistic experience with paid job training, specifically created to provide arts education to at-risk youth. The program has been so successful that in 2005, First Lady Laura Bush attended a Will Power to Youth performance in Los Angeles as part of a regional tour of exemplary youth programs. Will Power to Youth is currently being replicated across the country as part of the federal government's Gang Reduction Programs.
Know Theatre creates alternative theatre that is uniquely relevant. Our mission is to engage a diverse audience making theatre more accessible for all. It is dedicated to presenting affordable and thought-provoking entertainment in a variety of locations throughout the Tri-State area and providing provocative artistic opportunities for multicultural and contemporary programming.
http://www.shenandoahshakespeare.com
Shenandoah Shakespeare - through its performances, theatres, exhibitions, and educational programs-seeks to make Shakespeare, the joys of theatre and language, and the communal experience of the Renaissance stage accessible to all. By re-creating Renaissance conditions of performance, Shenandoah Shakespeare explores its repertory of plays for a better understanding of these great works and of the human theatrical enterprise past, present, and future.
Founded in 1995 as an interdisciplinary ensemble, Pig Iron Theatre Company is dedicated to the creation of new and exuberant performance works that defy easy categorization. In the past 11 years the company has created 20 original works and has toured to festivals and theatres in England, Scotland, Poland, Lithuania, Brazil, Ireland, Italy, Romania and Germany. The body of Pig Iron's work is eclectic and daring. Individual works have been inspired by history and biography (POET IN NEW YORK, 1997 and ANODYNE, 2001), rock music (MISSION TO MERCURY, 2000 and JAMES JOYCE IS DEAD AND SO IS PARIS: THE LUCIA JOYCE CABARET, 2003), American kitsch culture (CAFETERIA, 1997), serendipity (DIG OR FLY, 1996 and THE SNOW QUEEN, 1999), and fallen heroes (THE ODYSSEY, 1995 and THE TRAGEDY OF JOAN OF ARC, 1998). In 2001, Pig Iron collaborated with legendary theatre director Joseph Chaikin (1935-2003) to create an exploration of sleep, dreams and consciousness (SHUT EYE). In 2005, Pig Iron won an OBIE Award for HELL MEETS HENRY HALFWAY, an adaptation of Polish writer Witold Gombrowicz's novel POSSESSED. In 2006, Pig Iron was named Theatre Company of the Year in the Philadelphia Weekly. Pig Iron calls itself a "dance-clown-theatre ensemble" - our focus moves from character to space to contact with the audience. Individual pieces have been called "soundscape and spectacle," "cabaret-ballet," and "avant-garde shadow puppet dessert-theatre." We have a hard time sitting still. Pig Iron often stages performances in found spaces or transforms existing spaces as suits the production: an photo exhibit becomes a subterranean Polish orphanage (ANODYNE, 2001); a mental institution becomes a rock cabaret (JAMES JOYCE IS DEAD); and an archeological dig turns into Amelia Earhart's final voyage (DIG OR FLY). The company has performed in nightclubs, church basements, warehouses, and Romanian forts as well as traditional theatres. The company's productions are developed over a long period of time in workshops, in conversations among the company members, and in rehearsal. The plays continue to develop well after opening night. Many of the works remain in the company's repertory for several years after their first public performance. Currently, Pig Iron is composed of 3 artistic directors and 5 company members, in addition to an administrative staff and board of directors. The company made Philadelphia its permanent home in 1997; though individual pieces are often developed in residency at other theatres or at universities, we premiere all our work in our hometown of Philadelphia.
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